Curator

  • Art Institute Chicago
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  • My Exhibition
A work made of blown glass with polychrome enamels and gilding.

Lamp, Mamluk dynasty (1250-1517), 14th century

Islamic

A work made of oil on canvas.

Toning the Bell, 1874

Walter Shirlaw

A work made of color woodblock print; oban.

Snow at Zojoji Temple (Yuki no Zojoji), 1929

Kawase Hasui

A work made of silver.

Pitcher, 1911

Robert Riddle Jarvie

A work made of terracotta.

Bottle, Early/mid–20th century

Teke

A work made of oil on canvas.

Snow-Crowned Hills, c. 1920

Guy Carleton Wiggins

A work made of wood and gold leaf.

Linguist Staff with Rooster and Hen (Okyeame Poma), Early/mid–20th century

Asante

A work made of color woodblock print; oban.

Cloudy Day at Matsue in Izumo Province (Izumo Matsue [kumoribi]), from the series "Souvenirs of Travel, Third Series (Tabi miyage dai sanshu)", 1924

Kawase Hasui

Semiabstracted painting inspired by an aerial view. Yellow lines of varying thicknesses cross vertically and horizontally over a pink ground, much like rivers.

It Was Yellow and Pink III, 1960

Georgia O'Keeffe

A work made of walnut.

High-Back Windsor Chair, c. 1760

Artist unknown

A work made of painted enamel on copper with traces of gilding.

Plate with Scene of the Month of April, 1500/1600

Jean Court

A work made of laminated plywood.

Queen Anne Chair in Grandmother pattern, designed 1984 (made 1989)

Robert Venturi

A work made of color woodblock print; hashira-e.

Shirabyoshi Dancer Standing in Asazuma Boat, c. 1767

Suzuki Harunobu

A work made of earthenware and glaze.

Vase, c. 1909

Annie E. Aldrich

A work made of oil on canvas.

Christa and Wolfi, 1964

Gerhard Richter

A work made of oil on canvas.

Nantasket Beach, 1876

Emil Carlsen

A work made of oil on glass.

Landscape, 1957

Max Ernst

A work made of felt with metal grommets.

Untitled, 1976

Robert Morris

A work made of color woodblock print; otanzaku.

Macaw on a pine branch, c. 1835

Utagawa Hiroshige

Dashes of paint of varying colors arranged at random intervals on a cream-colored background covered in evenly spaced lines.

Summer, 1970

Joan Snyder

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