Curator

  • Art Institute Chicago
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A work made of wood.

Shrine Figure (a-Tshol, Elëk, or ma-Tshol), Late 19th or early 20th century

Baga

A work made of oil on canvas.

Longueil, Normandie, October 1909

Lyonel Feininger

A work made of earthenware with underglaze molded decoration and green lead glaze.

Storage Jar (Hu) with Hunting Scenes, Eastern Han dynasty (A.D. 25–220)

A work made of oil on canvas.

Composition with Statuette, 1950

Fernand Léger

A work made of oil on canvas.

Light and Shadow, c. 1924

John Warner Norton

A work made of oil on linen.

Red No. 2, 1954

Sam Francis

A work made of oil on canvas.

Blasted Tree, 1850

Jasper Francis Cropsey

A work made of oil and sand on canvas.

The Grand Arab (He Only Has Sand), 1947

Jean Dubuffet

Dark colored sculpture of womandz head composed of fractured geometric shapes.

Head of a Woman (Fernande), 1909

Pablo Picasso

A work made of terracotta and slip.

Teardrop I, 1996

Magdalene Odundo

A work made of color woodblock print; ōban.

Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi), 1847-52

Utagawa Hiroshige

A work made of ceramic.

Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects, 1200–1450

Chimú

A work made of marble.

Portrait Head of a Woman, about 140

Ancient Roman

A work made of pigment and gold on cotton.

Double-Sided Painted Banner (Paubha) with God Shiva, 16th-17th century

A work made of bronze.

"Acrobat" Upside Down Figure, 1926

Gaston Lachaise

A work made of oil on canvas.

Barnacles, 1907

Adam Emory Albright

A work made of hand-colored woodblock print; oban, sumizuri-e.

Dalliance, c. 1685

Sugimura Jihei

A work made of ceramic and pigment.

Jar in the Form of a Captive with Modeled Head, Rope Encircling Neck, and Tied Hands, 100 BCE–500 CE

Moche

A work made of etching, burnished aquatint and burin on ivory laid paper.

The Cid Campeador spearing another bull, plate eleven from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

The daring of Martincho in the ring at Saragossa, plate 18 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

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