Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood and pigment.

Plank Mask, Early/mid–20th century

Bwa

Mask with protruding stylized elephant trunk, red feather pom-pom, attached beard.

Helmet Mask (Mukenga), Possibly late 19th to mid -20th century

Kuba

A work made of bronze.

Sleeping Muse, 1910

Constantin Brancusi

A work made of color woodblock print; hosoban.

Susano-o no Mikoto Killing the Eight-headed Dragon, 1748

Torii Kiyomasu II

A work made of bronze.

An Anxious Friend, 1944

Max Ernst

A finely detailed drawing of architectural ornament in an organic style made up of whiplash appendages and spiral stalks.

System of Architectural Ornament, Plate 16, Impromptu!, 1922

Louis H. Sullivan

A work made of wood and pigment.

Headdress (Ago Egungun), Mid–late 19th century

Yoruba

A work made of ceramic and pigment.

Jar in the Form of a Phallus, 100 BCE–500 CE

Moche

A work made of oil on canvas.

Blue Rafters, c. 1916

Frederic Clay Bartlett

A work made of tin-glazed earthenware.

Jardinière, 1700–75

Talavera Poblana

A work made of wood and pigment.

Male Figure (Singiti), Mid 19th-early 20th century

Hemba

A work made of color screenprint on board.

Exhibition: Art by Children, 1935/43

Unknown artist

A work made of oil on canvas.

The Valley of Arconville, c. 1887

Theodore Robinson

A work made of oil on canvas.

Capture of the Tripoli by the Enterprise, 1806–12

Thomas Birch

A work made of ceramic.

Cylindrical Seal with Flower-like Motif, Possibly 1200–200 BCE

Tlatilco

A work made of hemp and wool, plain weave.

Couch Cover, 19th century

Dark portrait of an older light-skinned women with dark hair in a black dress and white collar, her hair pinned up. Her face is in partial shadow.

Portrait of Mary Adeline Williams, 1899

Thomas Eakins

A work made of terracotta.

Bottle, Late 19th/early 20th century

Ambundu

A work made of terracotta, white-ground.

Lekythos (Oil Jar), 445-440 BCE

Achilles Painter

A work made of charcoal with stumping and graphite (recto and verso) on cream laid paper.

Bound Man (recto); Sketch of Bound Man (verso), 1917/21

John Singer Sargent

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