Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on canvas.

Still Life with Ostrich Egg Cup and the Whitfield Heirlooms, c. 1670

Pieter Gerritsz. van Roestraeten

A work made of ivory.

Tusk, 1850-1888

Edo

A work made of bronze.

An Anxious Friend, 1944

Max Ernst

A work made of oil on canvas.

Blue Rhythm, 1950

Hans Hofmann

A work made of wood and pigment.

Plank Mask, Early/mid–20th century

Bwa

A work made of color woodblock print; hosoban.

Susano-o no Mikoto Killing the Eight-headed Dragon, 1748

Torii Kiyomasu II

A work made of bronze.

Sleeping Muse, 1910

Constantin Brancusi

A work made of tin-glazed earthenware.

Jardinière, 1700–75

Talavera Poblana

A work made of oil on canvas.

The Solemn Pledge, Taos Indians, 1916

Walter Ufer

A work made of wood and pigment.

Headdress (Ago Egungun), Mid–late 19th century

Yoruba

A work made of wood and pigment.

Male Figure (Singiti), Mid 19th-early 20th century

Hemba

A work made of hemp and wool, plain weave.

Couch Cover, 19th century

Mask with protruding stylized elephant trunk, red feather pom-pom, attached beard.

Helmet Mask (Mukenga), Possibly late 19th to mid -20th century

Kuba

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 7 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.7–0.9 mm weft: count: varies from 17 to 30 wefts per cm; wool: s-ply of two z-spun elements; pairs of s-ply of two z-spun elements; diameters: 0.5–1.2 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.5–1.2. mm.

Venus and Adonis (?) with the Duck Hunt, c. 1600

Jacques Geubels, I

A work made of ceramic.

Cylindrical Seal with Flower-like Motif, Possibly 1200–200 BCE

Tlatilco

A work made of ceramic and pigment.

Jar in the Form of a Phallus, 100 BCE–500 CE

Moche

A work made of oil on canvas.

Capture of the Tripoli by the Enterprise, 1806–12

Thomas Birch

A work made of terracotta.

Bottle, Late 19th/early 20th century

Ambundu

Painting of overlapping squares in grey, yellow, gold, and orange.

Homage to the Square: Light Passage, 1956

Josef Albers

Portrait of a light-skinned man in a long white wig and red-orange coat, holding a folded piece of paper and standing next to a desk, a large sailing ship off his left shoulder.

Richard Bill, 1733

John Smibert

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