Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink, brush and brown wash, and watercolor (recto), nad pen and brown ink with brush and gray and brown wash (verso), on ivory laid paper.

Architectural Fantasy (recto); Architectural Details (verso), n.d.

Mauro Antonio Tesi

Black-and-white image of a framed window with geometric patterns forming a decorative frame within the panel in clear, opaque, and mottled glass.

Robert W. Evans House, 9914 South Longwood Drive, Chicago, Illinois: Leaded Glass Window, c. 1908

Frank Lloyd Wright

A work made of terracotta.

Dragon-Shaped Architectural Ornament, 13th/14th century

A perspective drawing of a city with repeating rectilinear buildings on city blocks connected by bridges with roadways below.

Highrise City (Hochhausstadt), Perspective View, 1924

Ludwig Karl Hilberseimer

Pencil drawing of three-story community center with rectangular windows and minimal landscaping. Chinese characters are drawn above the door.

Chinese American Service Center, Chicago, Illinois, Perspective Rendering, 2001

Jeanne Gang

A work made of terracotta, pigment.

Architectural Relief Depicting the Gigantomachy (Battle Between Gods and Giants), 3rd-2nd century BCE

Ancient Etruscan

Scene in a diner, viewed through wrap-around glass windows, at night on an empty urban street. A light-skinned man and woman, he in a suit and she in a red dress, sit together at a triangular wood bar, eyes downcast. At left sits another man, his back to the viewer. Behind the counter is a light-skinned man in a white uniform. The interior lights cast a yellow glow that spills onto the street in pale green. Above the diner a sign reads, "Phillies."

Nighthawks, 1942

Edward Hopper

A work made of black and colored inks on photographic enlargement.

Celia L. Marriott Apartment, Chicago, Illinois, Interior Perspective, 1983

Krueck & Olsen

A work made of bronze.

Architectural Fitting (Gong), Western Zhou dynasty, c.1050–770 B.C.

A work made of graphite and ink on linen.

Peter Fortune, Residence: West Elevation, 1909/10

Howard Van Doren Shaw

Drawing plan for a spiral-shaped residence with material details. Smaller drawings circle a larger central one.

Gene and Nancy Bavinger House, Foundation and Floor Plan Footing Sections, Norman, Oklahoma, Working Drawing, 1950–1951

Bruce Goff

A work made of graphite on tracing paper.

A Minimum Dymaxion Home, Elevation, 1931

Richard Buckminster Fuller

A work made of carved oak.

Auditorium Building: Section of the Hotel Bar, 1887/89 (demolished c. 1941)

Adler & Sullivan, Architects

A gestural sketch depicting a round structure, two rows of trees, and benches.

Waterfront Plaza, Kobe, Japan: Sketch, c. 2000

Tadao Ando

A work made of oil on canvas.

Architectural Landscape with Belisarius Receiving Alms, Probably after 1760

French School

A colorful drawing of a courtyard encircled by an open architectural structure, a pool and palm trees in the foreground.

Pineda Island Recreation Center, Mobile, Alabama, Perspective, c. 1960

Bertrand Goldberg

A work made of cast iron.

Frieze Section from the Rothschild Store, Chicago, Illinois, 1881 (demolished 1972)

Adler & Sullivan, Architects

A three-dimensional color drawing of a skyscraper with its foundation exposed to show the complex program of its base against a dynamic background of blue and orange gradients.

Northwestern Terminal Tower, Chicago, Illinois, Axonometric, 1982

Murphy/Jahn Architects

An Art Deco building fragment made from red and gray clay and stone, hung along a corner, with interior lighting.

Imperial Hotel: Lobby Lantern Fragment, 1923 (demolished 1965)

Frank Lloyd Wright

A drawing of a house with a curved facade and an inky black shadow cast on it, situated around a sunken garden amidst foliage.

Mr. and Mrs. Herbert A. Jacobs House, Middleton, Wisconsin, Perspective, 1944

Frank Lloyd Wright

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