Curator

  • Art Institute Chicago
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A work made of blue fountain pen and pastel on cream wove paper.

A Cyclone in Action at Iola Kansas in the Year of 1920, 1969

Joseph Yoakum

A work made of color offset lithograph on white wove paper.

South African Women Unite Against Apartheid, 1975/94

Notations on a New Pan-Africanism

Notations on a New Pan-Africanism, 2013

Dawit L. Petros

Abstract painting in bright yellow, green, and orange. Undulating, visible brushstrokes give the surface a bright yet dusty and layered effect.

Untitled, 1965

Beauford Delaney

Black-and-white woodcut of an abstracted sunset. On the top is the sun rising from a straight horizon line, and on the bottom is an upside down sun-like form, connected to curving lines and dots.

Avey, from Cane, 2000

Martin Puryear

A work made of copper alloy.

Goldweight with a Geometric Design, 18th/19th century

Asante

A work made of sixteen silver dye bleach print diptychs, framed.

Miscegenated Family Album, 1980/94

Lorraine O'Grady

A work made of oil on canvas.

The Continence of Scipio, c. 1706

Sebastiano Ricci

A work made of pieced of nine strips of cotton; plain weave with bands of supplementary patterning wefts.

Blanket, Mid–20th century

Dogon

A work made of gelatin silver print.

Watching the Whores Fight, from the series "The Bar", 1979/89

Larry Chatman

A work made of gelatin silver print.

Two Young Men, from the series "Harlem, U.S.A.", 1976, printed 2011

Dawoud Bey

A work made of gelatin silver print.

Two Girls in Front of Lady D's, from the series "Harlem, U.S.A.", c. 1976, printed by 1979

Dawoud Bey

A work made of raffia, plain weave; embroidered with raffia in stem stitches and running stitches cut to form pile.

Panel, Possibly mid–20th century

Kuba

A work made of gelatin silver print.

A Woman Waiting in the Doorway, from the series "Harlem, U.S.A.", 1976, printed by 1979

Dawoud Bey

A work made of gelatin silver print.

A Woman at a Parade, from the series "Harlem, U.S.A.", c. 1977, printed 2011

Dawoud Bey

A work made of limestone.

Church Lady, 1933–37

William Edmondson

A work made of earthenware (blackware) and slip.

Storage Jar, c. 1900

Sara Fina Tafoya

A work made of copper alloy.

Goldweight with a Geometric Design, 18th/19th century

Asante

A work made of pieced cotton, polyester, cellulose acetate, silk, rayon and acrylic, plain weaves; some with supplementary warps some forming cut voided pile; some self-patterned by main warp and ground weft floats; some printed; plain weave derived float weave; twill weaves, some printed; satin weave; and machine knitting; backed with cotton, plain weave; quilted with cotton threads.

"Housetop"-nine block "Half-Log Cabin" Variation, About 1975

Jessie T. Pettway

A work made of raffia, plain weave; pieced; embroidered in lateral looping, and stem and running stitches cut to form pile; couching; joined by pearl and trammed twisted buttonhole stitches; edged in lateral looping stitches.

Woman's Overskirt, 19th century

Kuba

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