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A work made of 16mm color film, sound, transferred to digital video (projection); 3:11.

Monument, 1990

William Kentridge

A work made of terracotta and slip.

Storage Container, Early/mid–20th century

Nuna

A work made of durst lambda print on paper, 2/5 limited edition.

Okavango Delta Spa, Botswana, Rendering, 1997

ROY

A work made of gelatin silver print.

2:40 a.m. Going to work, Mathysloop, KwaNdebele, 1984, printed c. 2012

David Goldblatt

A work made of terracotta.

Palm Wine Vessel, Mid–20th century

Baule

Goldweight Depicting a Bird

Goldweight Depicting a Bird, 19th/mid–20th century

Asante

Film still of ocean, orange sunset, small boat in shadow.

Caribs' Leap/Western Deep, 2002

Steve McQueen

Woman's Apron

Woman's Apron, Mid–20th century

Grasslands

A work made of cotton, strips of warp-resist dyed striped plain weave with supplementary brocading wefts; embroidered with silk in open chain stitches; faced with cotton, warp-faced stripe plain weave and plain weave.

Man's Robe, 1875/1920 (before 1920)

Yoruba

A full-body, photograph of a nude, female figure in profile. She sits on a pallet of blankets in front of a fireplace, and in the background is an ascending staircase.

Nude, 1925

James VanDerZee

A work made of cotton thread, glass beads, and cowrie shells.

Woman's Apron, Mid–20th century

Grasslands

A work made of terracotta and pigment.

Storage Vessel (Msuko), Possibly late 20th century

Chewa

A work made of gold.

Feline Figurine, 250–550 CE

Moche

A work made of gelatin silver print.

Refilwe Mahlaba, Thokoza, Johannesburg, from the series "Faces & Phases", 2010, printed 2014

Zanele Muholi

A work made of painted leather and fabric.

Eshu (The Trickster), 1971

Betye Saar

Seated Figure

Seated Figure, 16th/20th century

Sapi

A work made of cotton, indigo dyed; sixteen strips of plain weave, joined by hand stitching; embroidered with wool in chain stitches; edged with cotton, buttonhole stitched uncut fringe.

Ogboni Chief's Textile, 1900/50

Yoruba

A work made of gelatin silver print.

Daddy Grace at the Altar with Choir, 1938

James VanDerZee

Sepia-toned photograph. A person with short, cropped hair wearing a fedora and formal riding gear stands in front of a brick wall, hands in their pockets, face cocked upwards and smiling. There is a small cutout photograph of a dog and a decorative metal gate with flowers in the background,

Riding Habit, 1939

James VanDerZee

Sculpture of wooden panels shaped like an abstract chair with a deep narrow base.

Lever #1, 1988/89

Martin Puryear

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