1983
Olga de Amaral (Colombian, born 1932) Bogotá, Columbia
Colombia
Alquimia III comes from Olga de Amaral’s largest series of more than 40 works on the subject of alchemy, which she began in the early 1980s. The work’s title refers to pseudoscientific attempts to turn cheap metal into pure gold. In Amaral’s hands, simple materials—in this case, linen, cotton, and pigment—are transformed into something valuable by artistry and the addition of gold leaf. She was inspired by the Japanese practice of kintsugi, in which artisans repair broken pottery by sealing the cracks with gold, thus celebrating imperfections.
Strips of linen and cotton, plain weave with exposed warps; applied gesso; painted with gold leaf and pigment; joined by knotted extended ground weft fringe