Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A sculpture comprises a featureless face made up of a mottled black and white substance, a short Afro hairstyle in a dark blue-green hue, and a slender dark neck from which a raffia skirt expands down to the top of the pedestal. Behind the sculpture, paneled glass windows look through to other buildings and a hint of green treetops.

Dunham

2017

Simone Leigh American, born 1967

United States

Simone Leigh’s Dunham examines the relationship between the black female body and the home or dwelling by combining a ceramic bust of a woman with a dome-shaped raffia skirt. The work integrates references from vernacular architectural traditions from Africa, the Caribbean, and the American South into monuments of strength and self-determination. With its introspective gaze, the figure engages the idea of what a body or vessel can hold within itself, expressing the power of interiority.

The sculpture’s title gives tribute to Chicago’s cultural history and the pioneering black choreographer Katherine Dunham, whose dance practice introduced movement styles from Africa and the Caribbean into the Western vocabulary of modern dance. Leigh’s interdisciplinary approach anchors these references in the artist’s lived experience and anthropological research, creating a powerful symbol of black female resilience and regality.

Terracotta, porcelain, raffia, steel, glass bead, epoxy, and India ink

Contemporary Art