Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Tokyo

1960, printed 1980s

Shomei Tomatsu Japanese, 1930–2012

Japan

The United States’s occupation of Japan following the end of World War II irreversibly changed Japanese culture, deeply impacting a young Shomei Tomatsu. He later re-marked that during that time, “darkness and light became clearly visible and values shifted 180 degrees . . . and that intense experience became a filter through which I’ve seen things ever since.” Here, Tomatsu encapsulates this dizzying period of foreign interference in his country: a ghostly figure rises off-center, its blurry expression in marked contrast to the highly legible advertisements in the background. This apparition, surrounded by signs of Western consumerism, represents Tomatsu’s awareness of a faltering Japanese national identity and its tension with American culture.

Gelatin silver print

Photography and Media