A work made of engraving in black on off-white laid paper.

Hercules at the Crossroads (Jealousy)

c. 1498

Albrecht Dürer German, 1471-1528

Germany

Renaissance humanists were fascinated by antiquity— its mythic heroes, surviving architecture, coins, and sculpture. Noblemen even demanded that the historians inflating their family trees make them stretch all the way back to Hercules and other demigods. Historical figures were occasionally given mythological nicknames, like the Protestant reformer Martin Luther, who was sometimes known by his supporters as the “German Hercules.” These two Hercules prints by Albrecht Dürer fed the fascination with this hero’s legendary strength, dogged perseverance in the 12 Labors, and tragic, inescapable fate.

Engraving in black on off-white laid paper