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A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.

I'timad-ud-Daula's Tomb at Agra

c. 1820

India Agra

India

This architectural rendering of a magnificent tomb at Agra provides an accurate depiction of the semiprecious stones inlaid in white marble, a technique known as pietra dura, and the carved white marble jali screens of the mausoleum built by the Mughal empress Nur Jahan (1577–1645). She commissioned this building in honor of her father, Mirza Ghiyas Beg, who rose to become the prime minister under the emperor Jahangir (reigned 1605–27) and held the exalted title I’timad-ud-Daula (Pillar of the Empire). The powerful Nur Jahan had immense financial resources at her disposal. Built between 1622 and 1628 and modest in size, as befitted the mausoleum of a nobleman rather than an emperor, the structure is unique in its lavish epigraphic and decorative design, highlighting its exquisite quality and craftsmanship.

This drawing was created in the Company style, named after the British East India Company, which led English mercantile and political interests in the subcontinent from the early seventeenth to the mid-nineteenth century. British colonists were eager to record and catalogue everything they saw. In the absence of photography, British and Indian artists depicted the sights in finely detailed prints and drawings. The style arose in the later part of the eighteenth century and ended in the mid-nineteenth with the beginning of photography. In addition to rendering architectural drawings, artists working in the Company style also produced animal and botanical studies and images of Indian occupations and trades, regional dress, festivals, and scenes of village life.

Watercolor on paper watermarked J. Whatman with pencil, pen, ink and gold

Arts of Asia