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A work made of terracotta.

Storage Container (Mulondo)

Early/mid–20th century

Songye Democratic Republic of the Congo Central Africa

Democratic Republic of the Congo

Writing in 1905 and 1906, the German ethnographer Leo Frobenius praised Songye pottery, attributing to it a “plainly astonishing beauty and a copious but measurable abundance of forms.” Indeed, Frobenius recorded over two hundred different types of Songye pots, many of which were variations on the tall-necked storage container.

This container demonstrates the stylistic variations-on-a-theme that characterize Songye pottery: it is embellished in a characteristically robust style, with deeply incised lines that emphasize the neck and shoulders. The chain of arches around the shoulders have a bouncing spontaneity. According to Frobenius, much of this kind of embellishment is added to a pot when it is still wet, while finer details are incised after it is leather hard. The surface is overlaid with a dense, crusty coating interrupted by areas of high sheen that suggest age and use. [See also 1995.149].

Terracotta

Arts of Africa