11th/early 12th century
Japan
Japan
This figure is said to represent the seventh-century Korean monk Hyeja, the foremost spiritual teacher of the first great patron of Buddhism in Japan, Prince Shotoku (574-622). The sculpture is made in the ichiboku technique, utilizing only a single block of wood. Its dramatic power is enhanced by the natabori technique, in which the sculptor's chisel marks are clearly visible on the surface.
Magnolia wood with traces of pigment